Communality and the sense of belonging built by festival attendees was a major building block for both fandom and career development; it was related to participation motives where the social atmosphere of festivals played an important role. OSF (2018), Participation in Leisure Activities: Changes in Cultural Participation 2017, Official Statistics Finland, Helsinki, available at: http://tilastokeskus.fi/til/vpa/2017/01/vpa_2017_01_2018-11-21_tie_001_en.html (accessed 28 August 2020). (2016), The social rhythm of the rock music festival, Popular Music, Vol. (2006), Defining and designing mixed research synthesis studies, Research in the Schools, Vol. Staff Writer. Packer and Ballantyne, 2011) and helped in coping with the everyday life (Maria). 211-220. non-commercial websites. 211-226. 403-428. The best of the best: the portal for top lists & rankings: Strategy and business building for the data-driven economy: While live show announcements and touring operations are slowly picking up across the globe, the question which festival will take the crown for the most attendees in 2022 will likely remain unanswered for the time being. 32 No. Furthermore, a frequent festival attendee was aware that one had to be both relaxed and patient at festivals. Theyll fly to a show, get paid six figures, fly home, Bahl says. Sandelowski, M., Voils, C.I. and McCarty, M. (2014), The function of shared affect in groups, in von Scheve, C. and Salmela, M. (Eds), Collective Emotions: Perspectives from Psychology, Philosophy, and Sociology, Oxford University Press, Oxford, pp. Regarding fandom, this is the fan interest, whose depth or psychological connection (PCM) defines the intensity of fan practices. to incorporate the statistic into your presentation at any time. Los Angeles, California, United States. Pearce, P.L. 3 No. 555-569. A paid subscription is required for full access. Aggregate Attendance: 750,000. At the camping site, people chilled out to the point that they might not even enter the festival area (cf. Please do not hesitate to contact me. Are you interested in testing our business solutions? Show publisher information Motivation changed with expertise: for instance, festival fans wanted to maintain the aspect of novelty (Getz, 2007; Getz and Andersson, 2020) by visiting new festivals in different locations. The majority of all festival bookings were Electronic artists (38.8%), followed by Rock (15.9%), Pop (12.7%) and Hip Hop artists (12.6%). There were some changes in motivations found in the participation data collected; mostly this was related to motives like the search for novelty. There were around 462,000 followers of the participating festivals in Facebook, whereas the total number of visits to these festivals was 564,000 [1] in 2018. The nature of the festival makes it the odd one out on this list, since it takes place over the course of two weeks and not just one or two weekends. Both quantitative and qualitative data and methods were used in the study. Live Nation also controls, or partially controls, festivals like Lollapalooza and Austin City Limits, among several dozen others. The purpose of the study is to compare features of career development and fandom in frequent festival attendance in the context of Finnish music festivals. In numerous event motivation studies (see review by Li and Petrick, 2006), interests towards program, artists and atmosphere have been identified, but not the phenomenon of festival fandom per se. Furthermore, in career models, increased consumption influences motivation. THE VALUE OF EVENTS. As skills and knowledge accumulate, the awareness of appropriate behavior increases. 3, pp. When publishing one of these graphics, The 2019 edition touted as the most expensive production (organisers decline to confirm exact figures), welcomed 400,000 visitors over two weekends and featured over 1000 artists in 18 stages . Feel free to contact us anytime using our contact form or visit our FAQ page. However, there were approximately 50,000 individuals participating in the festival since the same people attended the festival for several days. Campers organized activities like football and frisbee and all kinds of drinking games (Pekka), which made socializing and getting to know each other easier. Jay Sweet, who heads the Newport Folk and Jazz Festivals, tells TIME the folk festival has managed to last so long by just focusing on itself. Where recent attempts to revive Woodstock have failed, Newport has continued in the spirit of bringing people together in a communal sense, Sweet says. They used to be more of a communion of culture, says Carlos Chirinos, a professor of clinical music and global health at New York University. 4, pp. Second, the fandom might be directed at a certain musical genre. And alongside their rise in popularity, hundreds of smaller, niche or genre-specific festivals have flourished. Knowledge acquisition and accumulation are typical for fandom as often the strength of fandom is tested by the level of knowledge about the fan interest (Sinclair and Dolan, 2015). SXSW provides yearly reports covering Conference and Festivals Demographics, Event Statistics, and the Economic Impact Analysis. Overall, the. The findings indicate frequent festivalgoers' internal and external role in festival productions. 74-85. Highlights of Live Nation's fourth quarter and full. LiveFIN (2020), Festivaalibarometrin 13 000 osallistujaa kertoivat suuresta ikvstn festivaaleille [13 000 respondents of the Finnish Festival Barometer describe their intense longing for festivals], 11 December, available at: https://www.livefin.fi/festivaalibarometri2020/ (accessed 5 January 2021). Additionally, frequent festivalgoers' personal and psychological connection to music and festivals was on the level of attachment or allegiance (Funk and James, 2001), urging them in particular to commit to live music events and festivals. Kinnunen, M. (2018), Total Festival Experience: A Mixed Methods Research Approach to Consumer Experiences in Finnish Cultural Festivals, University of Lapland, Rovaniemi. 251-268. 1, pp. A 2019 Deloitte survey of millennialsa group that makes up at least 45% of the 32 million people who attend music festivalsfinds that most value experiences: 57% of respondents said they prioritized travel and seeing the world over owning a home. Even the niche festivals that might have more genre-specific lineups have to compete for audience attention. (2013), Social worlds as a framework for event and travel careers, Tourism Analysis, Vol. Kinnunen, M., Luonila, M. and Honkanen, A. 12, p. 22, doi: 10.3390/su12229419. to incorporate the statistic into your presentation at any time. 10 No. ZoukOut Festival Attendance: 45,000 Location: Singapore First Year: 2005 Featured Artists: Marshmello, DJ Snake, and Yellowclaw Source: wikimedia.org The idea was based on Maslow's (1954) hierarchy of needs, stating that as travel experience accumulates, the higher order needs become involved. Look up music festival near me, and youre likely to find one within at least a few hours drive. Finland Festivals (2020), Festivaalien kyntimrt 2019, [Amount of festival visits 2019], available at: http://www.festivals.fi/tilastot/festivaalien-kayntimaarat-2019/ (accessed 28 August 2020). statistic alerts) please log in with your personal account. The ideal entry-level account for individual users. The positive attitude was necessary, for instance, if the weather was not so good like Anna illustrated: If it's raining, I'm the one who thinks that I have to cheer up the folks (laugh).. Skills development in turn is a fundamental part of an event travel career. After an 18-month hiatus, concerts, festivals, sports, and other big events are expected to return to their pre-pandemic glory. (2016), Gender, Metal and the Media: Women Fans and the Gendered Experience of Music, Palgrave Macmillan, London. The average number of festivals they attended in a year was 2. Impact of length of visit on the perceived benefits of music festival attendance. Future research should focus on a specific musical genre, going deeper into the festival career that combines two types of fandom: for festivals and a musical genre. Successfully organised, planned, and executed events to bond the mentoring community, and developed lasting relationships in the club among 50 mentor-mentee pairs. Are you interested in testing our business solutions? The main questions in her current studies are intertwined with the cultural, social and economic impacts and long-term effectiveness of creative productions, particularly in the context of arts and cultural events and festivals. .0p3df4afxhhh"t)1,k4'uA_qgz_ UM,W endstream endobj 132 0 obj <>>> endobj 133 0 obj >/PageWidthList<0 792.0>>>>>>/Resources<>/ExtGState<>/Font<>/ProcSet[/PDF/Text]/Properties<>>>/Rotate 0/Tabs/W/Thumb 119 0 R/TrimBox[0.0 0.0 792.0 612.0]/Type/Page>> endobj 134 0 obj <> endobj 135 0 obj [/ICCBased 141 0 R] endobj 136 0 obj <> endobj 137 0 obj <>stream Both quantitative and qualitative analysis attested that frequent festivalgoers were heavy users of live music. Traditionally, music is considered very important for adolescents (Schwartz and Fouts, 2003) but our study participants were adults, suggesting that for a certain group of people the meaning of music might remain high throughout their adulthood. Luonila, M., Suomi, K. and Lepist, T. (2019), Unraveling mechanisms of value cocreation in festivals, Event Management, Vol. 135,000 plus the potential for a further 7,000. Most Super Bowl wins by NFL team 1967-2023, Average ticket price in the NFL by team 2021, FIFA World Ranking: top male soccer teams 2022, Athletic footwear global market share by company 2015, Health & Fitness Clubs - Statistics & Facts, Sporting goods industry in the U.S. - statistics & facts, Profit from additional features with an Employee Account. Kelly, J.R., Iannone, N.E. Use Ask Statista Research Service, *Most recent figures for Isle of Wight festival are from year 2017Figures have been taken from various sources: GlastonburyDownloadReading and LeedsCreamfieldsIsle of Wight, Concert and festival attendance in the United Kingdom (UK) 2012-2019, Largest UK indoor arenas 2020, by capacity, Music industry employment in the United Kingdom (UK) 2019, by sector. Overall, Mintel estimates the value of the UK music festivals and concerts market to be worth just over 2.6 billion in 2019, up from 2.46 billion in 2018. After purchasing a controlling interest in Bonnaroo in 2015, Live Nation this year bought the remaining stake to gain total control of the festival. In addition, Pauli is a good example of other competing priorities. 3 No. Future of the arts festivals: do the views of managers and attendees match? 14 No. The record was verified by a . Single-day tickets cost $135 per day (plus $27 fee), at TortugaMusicFestival.com or at the box office at DC Alexander Park, 505 S. Fort . please visit our agency website, Your contact to the Infographics Newsroom, Find your information in our database containing over 20,000 reports, Our infographics team prepares current information in a clear and understandable format, Relevant facts covering media, economy, e-commerce, and FMCG topics, Use our newsletter overview to manage the topics that you have subscribed to. Both time and money are invested in the fan interest (Cavicchi, 1998) since fandom entails following the fan interest; for example, for an artist or musical genre, physically by attending concerts or festivals, and virtually by reading and commenting on articles and fan pages. ", Statista, Largest music festivals in the United Kingdom in 2019, by audience capacity Statista, https://www.statista.com/statistics/1101275/largest-uk-music-festivals/ (last visited March 01, 2023), Largest music festivals in the United Kingdom in 2019, by audience capacity [Graph], Statista, March 3, 2020. (Mean ratings on a 0-4 scale, where 0 = Experienced the benefit . Maslow, A.H. (1954), Motivation and Personality, Harper & Row, New York, NY. 1, pp. The principal part of both fandom and event career is motivation. Funk, D.C. and James, J. Studies on career development show that devotion to a specific leisure activity involving frequent event attendance modifies future behavior in motives, preferences and patterns, intending to fulfil needs that have been changed through accumulated experience ( Getz, 2007, 2008 ). With your personal account the Gendered Experience of music, Vol might be directed at a musical. Maslow, A.H. 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